“…Music is more than the expert’s description - Don’t care if it’s French, Hawaiian or Egyptian, If I feel it, that’s good enough for me!” E.B. Vi sono luoghi incontaminati dove ne eventi naturali catastrofici ne l'irrazionale sentimento umano di onnipotenza possono intaccarne la bellezza e la cultura. Uno di questi luoghi magici è la Louisiana, un luogo dove mille culture si sono ritrovate e anzichè scontrarsi si sono arricchite a vicenda dando luogo a ritmi , suoni e suggetioni davvero unici. Ed è un bene che nella "palude" sia finalmente arrivato anche il nostro Eric. Lo abbiamo visto lo scorso anno in tour in Italia e ne abbiamo potuto provare di persona non solo l'indiscussa conoscenza del blues, la capacita' scenica e la buona tecnica di esecuzione chiatarristica , ma soprattutto la grande umanita' e umilta' che ne fanno un vero blues man. L'arrivo in Louisiana ha fatto sicuramente bene al nostro dando nuova linfa alla sua musica che da un Blues piu' roots e tradizionale del delta passa a un suono piu' contaminato da altri stili propri di quelle parti dove anche i Blues Brothers hanno dovuto vincere per sopravvivere. Buon Ascolto a tutti e non perdetevi questo bellissimo album di uno dei grandi blues man ancora in circolazione.
Anyone with an avid interest in the traditional folk music of North America knows that Louisiana has long been, and still is, a place where the old styles survive and thrive and new sounds are born. Its rich history of African, French, Spanish, Caribbean and Native- American influences has gifted the world with a unique culture that no catastrophe, natural or man-made, can ever destroy.
Arriving, mid-September, at Dirk Powell’s Cypress House Studio in Pont Breaux, Louisiana, with a satchel of new songs, I felt the thrill of great expectations. The last time I’d met up with Dirk was back in January when we both had been invited to be a part of the BBC’s “Celtic Connections”- filmed in the Scottish countryside. That was the first time we’d had the opportunity to play music together and we really hit it off.
The original idea to record in Louisiana was hatched even earlier during a meeting with Matt Greenhill from Folklore Productions. His many talents include getting like-minded musicians together in interesting combinations. Anyway, knowing that I was looking for a versatile multi-instrumentalist to record with alongside harmonica virtuoso Grant Dermody, he suggested Dirk, an amazing musicianer who also has a wonderful studio. Matt also later came up with the idea of calling in the fabulous Cedric Watson, a young lion of the new Creole music evolving in and around Lafayette. Also on hand was the sublimely groovy Danny DeVillier, on drums, and Michael Bishop, sound engineer extraordinaire, who flew in from Ohio with his gear and million-dollar ears.
Thusly assembled, in beautiful, not-too-hot, bayou weather, the six of us, brothers of varying hue, came to record a celebration of our shared Americana heritage – “Deeper In The Well”.
Eric Bibb - October, 2011
