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In the autumn of 2002, that same group of friends who two years earlier had founded the hospice Casa Madonna dell'Uliveto in Montericco Albinea, in the foothills to the south of Reggio Emilia, hit upon the idea of organizing a seires of events, musical and otherwise, which was to be called Phos Hilaron, meaning light of joy in Greek.
Our goal was to share not only with the sick and their families, but with whoever wanted to listen to us, our profound belief the sickness and pain should not necessarily become a barricade around those who suffer, a barrier of sadness, solitude and isolation. We were convinced, and are even more so today, that even at such difficult times, room can be made for moments of serenity, of enjoyment and peace with our own fragile and transitory nature.
Thus, over these last few years, one Sunday afternoon every month, this initiative has come to life, thanks to the generosity and enthusiasm of Italian and foreign musicians, artists, and intellectuals.
This was the context in which this project was conceived, then shared with a small group of American musicians who took part in Phos Hilaron. The concerts given at the Casa Madonna dell'Uliveto were followed by a recording session of original arrangements, composed by the musicians themselves, and inspired by the traditional music of the Apennines, the very area in which the hospice is situated.
The majority of the chosen songs were made available by the Ethnomusicological Archive "Giorgio Vezzani - Il cantastorie" thanks to the help of Bruno Grulli. The musicians approached this traditional music as novices from different cultures, but inspired by curiosity and with an extraordinary ability to listen and capture the similarities of differing musical worlds.
Duck Baker, Bob Brozman, Ed Gerhard and Woody Mann, sophisticated interpreters of the acoustic guitar, have all taken different directions in the course of their carriers, each developing his own unmistakable and original style of composition and performance.
Duck favoured free jazz and Celtit music, Bob, with his resonators, old time music and blues, Woody original blues and contemporary jazz, Ed the melody through open tunings and acoustic slide guitar.
They were asked to listen to ancient and more recent melodies, typically played ( although less and less frequently ) at weddings or village fairs in the Apennines and to choose freely the pieces they found most inspiring and to create a totally free arrangement without any philological intent.
Donna Lombarda was the only exception right from the very beginning. As this song is symbolic in Italian folklore, we decided, as jazz players tend to do, to take this as our standard: a piece well enough known to be at once common ground and a means of comparison.
Over the past five yers, in the silence of a house on our mountains, we have explored, listened and recorded the same tune many times over in order to achieve for each musician virtually identical technical and emotional recording conditions. Thanks to the generosity of the artists involved, the proceeds o this cd will go entirely to the Madonna dell'Uliveto Foundation, which maintains the hospice.
The melodies on this record will remain for us a joyful reminder of the extraordinary experience it has been to have had the opportunity to create a bond between human and musical sensitivity, intense yet diverse, united not only by common enthusiasm and love of music, but also by a true sense of human solidarity.
( Massimo Gatti and Luigi Maramotti )