For nearly 45 years, John Surman has been one of England's best known modern jazz musicians. His career began in the late 60s as both a sideman and a leader with such notable greats as John McLaughlin, Chris McGregor's Brotherhood of Breath, Terje Rypdal, Mike Westbrook, Barre Phillips, Albert Mangelsdorff, Chick Corea and many others. He began working with the ECM label in the late 1970s where he has released a string of fine work that continues to this day. Every period of his career is filled with highlights, which is why Cuneiform is exceedingly proud to release for the first time ever this amazing document of the late 60s 'Brit-jazz' scene.The NDR Jazz Workshop was a weekly show featuring all manner of jazzmen of the day. The taping of this NDR show was around the same time as Surman was recording his second album as a leader, How Many Clouds Can You See, so this is a unique chance to get an expanded view of his formative work as a leader and also at the early work of his musical compatriots who appear with him here. For this occasion, Surman led a ten-piece ensemble featuring the cream of modern British jazz players: John Surman - soprano and baritone sax, Kenny Wheeler - trumpet and flugelhorn, Alan Skidmore - tenor sax and flute, Ronnie Scott - tenor sax, Mike Osborne - alto sax, Malcolm Griffiths - trombone, Harry Miller - bass and Alan Jackson - drums, as well as two Austrian musicians, Fritz Pauer - piano and Erich Kleinschuster - trombone.
Heard and seen on Flashpoint for the very first time since the original broadcast over 40 years ago are five great peformances, including two excellent Surman compositions that he never recorded elsewhere. High quality audio recordings from these musicians from this period are quite rare and video footage is basically non-existent. Captured in crisp, clear black and white footage and in excellent mono sound, this release is a exeptional and hugely important document that will blow the minds of Brit-jazz fans and will open the ears, eyes and minds of those who don't know the great and distinctive work of these fine musicians!
- John Surman – Flashpoint (CD + DVD edition) NDR Jazz Workshop feat John Surman - soprano and baritone sax, Kenny Wheeler - trumpet and flugelhorn, Alan Skidmore - tenor sax and flute, Ronnie Scott - tenor sax, Mike Osborne - alto sax, Malcolm Griffiths - trombone, Harry Miller - bass and Alan Jackson - drums, as well as two Austrian musicians, Fritz Pauer - piano and Erich Kleinschuster - trombone (Raro documento ’60 di questo British jazz hero dell’epoca celebre per il suo lavoro con musicisti del calibro di John McLaughlin, Chris McGregor's Brotherhood of Breath, Terje Rypdal, Mike Westbrook, Barre Phillips, Albert Mangelsdorff, Chick Corea, oltre che per le sue numerose registrazioni ECM..)
Proficient, creative, a first-call, in-demand bassist, Carlo De Rosa has earned a reputation of very high standards. As a composer and band-leader of the quartet Cross-Fade, he also has very high standards, but outside of New York City clubs, this work has not been widely recognized. Brain Dance is set to remedy that situation!Cross-Fade is a band of top-drawer musicians. In addition to Carlo's work on bass, the band features the constantly inventive saxophone work of Mark Shim, who released three albums on Blue Note and who plays here with an amazing fire and fervor, playing fast and intricate melodic lines as if cutting butter. Drummer Justin Brown is the youngest member of the group and the least known at this time, but his playing here is agile, assured and quite mind-boggling. Pianist Vijay Iyer should need no introduction; he is the rising young piano star of jazz today. Iyer was named the 2010 Musician of the Year by the Jazz Journalists Association and he is up for a Grammy in February for 'best instrumental jazz album'.
These are obviously all great players, but great players deserve great material and one of the notable things about Brain Dance is the writing. The compositions give the players malleable material with which to work with; there's plenty of thematic material, but also plenty of room for them to add their individuality. The end result is greater than even the sum of their musical talents and the compositions. The music constantly moves between the modern, avant-garde and electric jazz worlds, never standing still, but taking the most interesting and attractive elements of these worlds and combining them into a new whole. For the listener who appreciates modern, cutting-edge jazz as well as cutting-edge jazz/rock, this album will be a hugely enjoyable musical revelation!
"Great writing and ensemble playing. Deep thoughtful solos."
– Jack DeJohnette
- Carlo DeRosa – Brain Dance Bassista, compositore e band-leader. Feat. Mark Shim, sassofoni, Justin Brown, batteria, e Vijay Iyer, pianoforte.
What happens when you take four highly opinionated, strong-willed and creative composer/musicians and put them in a band together? You might have a volatile problem on your hand...or else you have Gutbucket. From the beginning Gutbucket has had no single bandleader; the result has been an expansive yet unified and recognizable group sound.With Flock, the group's fifth release, the twelve year-old Brooklyn-based quartet push their composer-driven, art-rock-tainted chamber jazz into new terrain. The group attacks their jazz with the ferocity usually reserved for punk. Their music is filled with layers of mature arrangements and a full-throttle blend of energy, chops, melody, intricacy and noise.
From the beginning, Gutbucket’s music challenged New York’s downtown norm – “a no-holds-barred approach to the jazz-rock paradigm” (The New York Times, 2010) – bringing a completely unique, road-tested performance and a sound that tilted much further towards rock than many of its jazz contemporaries. Gutbucket’s brand of jazz continues to have its signature biting edge, cunning sense of humor and appreciation for the loud and theatrical. Improvisations are woven seamlessly and sometimes unexpectedly into the band’s growing repertoire, and each composer in the group has developed an individual voice that simultaneously supports the collective.
Flock cements Gutbucket’s sound – still wearing the indie rock influences on its sleeve, but delving deeply into all four members’ work as individual composers, assimilating contemporary classical, free jazz, mathy art rock, and more. Audibly, Gutbucket learned from its decade of record-making and has produced its most ambitious disc yet. The band has produced a CD that is hard-hitting yet nuanced, with a new sonic and compositional breadth. Gutbucket’s imagination is in full bloom on Flock; the band sounds exactly like itself: immediate, ferocious, ambitious and inviting. During their dozen year ride, Gutbucket has brought its “impressive balance of passionate lyricism and pummeling angularity” (Time Out New York) to festivals, clubs and concert halls in 33 US states and 19 countries. All of this work and energy and power has been harnessed on Flock, the latest in their series of impressive albums!
“...achieves an impressive balance of passionate lyricism and pummeling angularity.”
- Time Out New York
“Forcing a conversation between punk, funk and free jazz for saxophone, guitar, bass and drums.”
- The New York Times
“A classic case of a band that defies categorization.”
– The Washington Post
- Gutbucket – Flock Il New York Times li ha sintetizzati con: “Forcing a conversation between punk, funk and free jazz for saxophone, guitar, bass and drums.”
A tremendously popular act at home in the UK, their last album, Sensible Shoes (their first with Cuneiform) was a 2009 'Album of the Year' winner with the prestigious Mercury Prize. They regularly play large-scale festivals and concert halls in the UK as well as festivals and shows elsewhere in Europe. So, in the wake of the huge press attention lavished on them due to the Mercury, and having appeared on UK's Channel 4 News, performing their version of the theme music to literally millions in front of the telly, did the mighty Bib decide to tone it down? Turn it back a notch? Definitely not. If anything, Bring Your Own contains some of their hardest rocking material to date, mixing the full throated cry of the dual saxes over loudly amplified Fender Rhodes and heavy bass and drums.Those familiar with the Led Bib sound will recognize the trademark hooky melodies and idiosyncratic improvisation on this album. The raw energy and style remains, but it has never sounded so confident or accomplished, so genre-crossing and definition-defying. Here eastern melodies tumble into rock and roll grooves, there jazz phrases open up pastoral overtures, and elsewhere crescendos rise and disappear into whirring kraut-rock wormholes. The group has been playing together for over 7 years – and it shows. There’s an electricity here, a ‘group mind’ built out of a confidence in each of the member’s playing that means risks can be taken and their unique sound world cracked open and reassembled time and time again. The band has come a long way from their humble beginnings as Holub’s college music project!
Led Bib were formed in 2003 and have had the same formation since their beginnings; Mark Holub, drums; Liran Donin, bass; Toby McLaren, Rhodes and Chris Williams and Pete Grogan, alto sax.
"This is the sound of a band having fun… like a hot chainsaw through butter." – The Wire
"One of the UK’s most adventurous groups" – Jazzwise
"You’ll be hard pressed to keep the lid on this explosive tour de force of ensemble intelligence" – The Independent
"Rarely have two saxes, keyboard, bass and drums sounded so dangerous yet so compelling" – Observer Music Monthly
"It’s exuberant, intense, varied and exciting."
– BBC Music Magazine
" …a masterpiece of musical foreboding"
– The Metro
"...like a gale of fresh air"
– The Guardian
- Led Bib – Bring Your Own Secondo album Cuneiform per un gruppo che Jazzwise ha definito: “One of the UK’s most adventurous groups”.
As long-time fans of the 'Canterbury School' style of jazz/rock, a very appealing, very English, sometimes slightly whimsical blend of electric jazz with complex rock have sadly learned, this style and sound is rarely invoked nowadays. Planeta Imaginario are a creative and extraordinary six piece Spanish jazz/rock band that take some of the best influences from Canterbury style music and blend it with an original, very Mediterranean feel for a end result that is strongly their own but that is also redolent of 40 years of creative work in bringing jazz and rock together.To get an idea of what their third album, Optical Delusions, has to offer, think of a great rhythm section of keyboards (Hammond organ, Fender Rhodes piano, acoustic piano, synths), electric bass and drums, influenced by creative rock bands like The Muffins, Hatfield, Caravan, National Health. Be sure to make note of the fact that the keyboardist is a excellent writer and arranger. Now add three jazz musicians on trombone, trumpet and alto, soprano and baritone saxophones, as well as guests on additional saxes, flute and French horn. Give all the musicians great tunes to play and don't forget to throw in a little dollop of weirdness to keep everything just a little bit off the (well) beaten track. This scenario is what you have here.
I would not have expected that the best current exponents of that great Canterbury sound would be a group of musicians from Barcelona, the heart of Spain's Catalan region, but expectations are made to be destroyed and Optical Delusions will utterly destroy you!
"From this album's earliest jittery unison lines and rocked up beats, this Spanish post fusion band sets the genre clock back to the 70's. Funny thing is, with its ensemble moxie and personal peculiarities, Planeta Imaginario wins expressive points in a style we might have given up for dead or irrelevant. The charm is in the details and the quirks.... It reminds us of what was lacking in much fusion of old: a sense of humour on the cultural playground. Could it be that fusion is ripe for a renaissance? Maybe musical models such as this one-from unexpected corners, globally and stylistically, will hasten a reconsideration of fusion's early demise."
– Josef Woodard, Jazziz, July/August 2008
Attendere un cd di Barbara è come attendere la primavera dopo un lungo inverno. Penso che sia questo il pensiero dei suoi numerosi fans che le riconoscono una classe e un'arte musicale fuori dal comune ma anche una personalita' attenta e sensibile. Barbara Casini è da anni una delle massime interpreti del jazz italiano nota tanto per le rivisitazioni della musica brasiliana quanto per quelle della canzone d’autore francese. Voce e chitarra fiorentina sin da ragazzina la fanno volare fino in Brasile che è diventato la sua seconda patria musicale. Barbara Casini è stata più volte definita la più importante interprete di musica brasiliana in Italia tanto da essere invitata piu' volte a esibirsi durante feste organizzate per promuovere la cultura di questo immenso e per la maggior parte ancora sconosciuto paese fatto si di divertimento ma anche di poverta' e tanta voglia di uscirne. La sua conoscenza della musica popolare brasiliana le hanno tra l'altro dato occasione di esibirsi piu' volte dal vivo con un altro grande musicista italiano che condivide con lei questo immenso amore per le melodie verdeoro ossia Stefano Bollani e i suoi Convidados di cui Barbara è per l'appunto la voce. Amore per il brasile che si è concretizzato in questo nuovo cd con cui Barbara vuole rendere omaggio a Gilberto Gil, "stupefacente compositore,chitarrista, cantante, poeta , cosi' profondo e cosi' giocoso". Godiamoci dunque questo nuovo lavoro di Barbara e lasciamoci pervadere dalla primavera in un inverno ancora cosi' lungo. 
Grazie a casa Blind Pig, ritorna questo chitarrista di Tampa, Florida, che ha lasciato un segno quanto nel pubblico del rock quanto in quello del blues. Una conferma a livello nazionale ed internazionale per un’autentica promessa dello slide-guitar sound di matrice rock-blues accostato dalla stampa specializzata a personaggi del calibro di Johnny Winter, Jeff Beck e Duane Allman ossia puro Southern rock, swamp blues and lightning slide
Sketches of Corsica: the radiant lyric trumpet of Paolo Fresu glides across the massed voices of A Filetta, the singers who are both trailblazers and keepers of tradition in the realm of Corsican polyphony. The ancient and the experimental blend seamlessly in these compositions, several of them written by ensemble founder Jean-Claude Acquaviva, who has directed the singing group for more than 30 years. A powerful showing here also for Italian bandoneon innovator Daniele do Bonaventura, who contributes new music, solos imaginatively, duets with Fresu, and envelops voices and trumpet with an almost orchestral sense of form.
“Schumann is the composer who has almost always been at the true centre of my thoughts” says Heinz Holliger, and the brilliant performance by Alexander Lonquich illuminates deep connections between the sound-worlds and imaginations of two great composers separated by one and half centuries. In this remarkable recital, Lonquich offers new insights in his account of the 1838 first edition of Kreisleriana op. 16, and then plunges deep into Holliger’s contemporary invocation of Schumann, the “radicalized romanticism” of the 1999 piano cycle “Partita”.
Ketil Bjørnstad returns to the piano/cello duo, instrumentation which defined two of his best-loved albums, “The River” and “Epigraphs” with David Darling, back in 1996 and 1998. This new collaboration with Svante Henryson, however, tells a different story. As cellist, Henryson currently works in duos and trios with distinguished classical musicians including pianists Roland Pöntinen and Bengt Forsberg, clarinettist Martin Fröst, mezzo-soprano Anne Sofie von Otter and baritone Mikael Samuelson. ECM listeners, however, first heard him as a member of Jon Balke’s Magnetic North Orchestra on “Kyanos” (2001). In jazz contexts, he has also played in diverse formations with Tord Gustavsen, Marilyn Mazur, Nils Petter Molvaer, Arild Andersen and others. In rock and pop, he has collaborated with artists from Yngwie Malmsteen to Elvis Costello. In brief, he is an artistic polymath, rather like composer/improviser/author Bjørnstad himself. The music they create together - atmospheric, dark-hued, of melancholic temperament - is similarly beyond category.
“Rruga”, meaning ‘path’, ‘road’ or ‘journey’ in Albanian, is the evocative title of the ECM debut by the trio of pianist Colin Vallon, bassist Patrice Moret and drummer Samuel Rohrer. After shared musical experiences on the Swiss jazz scene, they began their trio journey five years ago, and have grown into one of Europe’s most promising bands, shaping a rugged and individual music, inspired by songs and singers, and by the music of the Caucasus region as well as by the jazz tradition. Challenging conventions of the modern jazz piano trio, the instrumentalists meet on equal terms as the music is created, arranged and developed collectively.
Disponibile gia' da tempo ripresentiamo questo cd del leggendario pianista sudafricano Abdullah Ibrahim in occasione della suo tour italiano che tocchera' proprio domenica 30 gennaio Milano in occasione della manifestazione Aperitivo in Concerto. Abdullah fonda il Gruppo EKAYA che lo accompagnera' sia dal vivo che nel cd (che in lingua xhosa o zulu vuol dire "patria") a New York, nel 1983 e si tatta di un'intuizione geniale visto che grazie alle eccezionali doti strumentali dei vari musicisti si è in grado di rievocare le linee melodiche del canto popolare sudafricano inserendole nel contesto dell'improvvisazione jazzistica vera e propria. Insomma un bellissimo ritorno cui tutti gli amici della moonlight sono sicuro non vorranno fare mancare il propro appoggio. 
Conosciuta ed apprezzata nel nostro paese per aver trascorso un anno dei propri studi a Roma tanto da essersi formata oltre ad una sua Band d'oltreoceano anche una Band tutta italiana che la accompagna durante i suoi italici tour Susan è davvero qualcosa di straordinario. Grinta, Rock e vena compositiva non le mancano di certo cosi' come la voglia di farsi notare, di far strada in un ambiente non certo facile. E la cosa non è di certo passata inosservata visto che nel 2010 Susan è stata tra gli ospiti del Buscadero day mentre non indugia in complimenti la rivista inglese Maverick che di lei dice “Blending a powerful combination of blues, rock, country and soul this record is definitely set to make a mark on her musical career”. 
With 1984’s Stealing Fire, Bruce Cockburn’s words and music took a greater urgency thane ver before. The previous year, he made his first trip to Central America on behalf of the international development group OXFAM. While in southern Mexico, he visited a refugee camp that had recently been attacked by the helicopters of the U.S.-backed Guatemalan army.
"World of Wonders" Cockburn wrestles with both the beauty and ugliness that the world around him has to offer.
Lagrimas Mexicanas non è altro che il naturale risultato di una collaborazione decennale tra uno dei piu' bravi ed ecclettici chitarristi americani della sua generazione e uno dei piu' importanti cantautori brasiliani artefice di molti brani poi portati al successo da personaggi del calibro di Caetano Veloso, Gal Costa e Gilberto Gil. Collaborazione iniziata grazie alla felice partecipazione di Bill agli album "Tucumã", "Vinicius" e "Samba Carioca" di Vinicius, partecipazione che verra' poi ricambiata quando Frisell lo invitera' a diventare membro della sua band "The Intercontinentals" cui seguira' la pubblicazione dell'omonimo album. Tornando al presente Vinicius prende ad esempio, diremmo quasi come musa i componimenti di Frisell utilizzati in questo caso per una rivisitazione personale della Bossa Nova con ritmi che vanno al di fuori dello stereotipato paese carioca per donarci invece un cd appassionato si ma quasi sussurrato. Insomma, un cd intimo, personale, degno di uno dei piu' imporanti cantautori in circolazione e sicuramente un cd che fara' parlare molto di se in questo inzio 2011
Siamo lieti di presentare Refuges il nuovo lavoro del chitarrista e compositore autore di molti capolavori nell’ambito della musica per balletto e colonne sonore. Aubry è universalmente conosciuto come autore di melodie affascinanti e ricche di patos capaci di creare nell’ascoltatore sensazioni che coprono tutta la gamma delle umane emozioni giungendo con questo suo nuovo disco sulla vetta dei “sound artists”, al pari di altri grandi nomi come Francois de Roubaix, Pascal Comelade ed il nostro Ennio Morricone. Come quest’ultimi, l’alchimia della sua musica comprende di tutto: l’electro, il dub, il flamenco, il celtico, il rock, musica minimalista, orchestrale, il jazz, il bebop, e tutto quanto è fatto di ritmo e melodia. Riduttivo definire emozioni musicali a 360° con termini come new age o musica per balletto. Uno dei grandi musicisti del nostro tempo è tornato per darci dei picculi rifugi musicali in cui per qualche attimo riposare. 
Next Stop Is Viet Nam – The War On Record : 1961 – 2008 Box di 13 cd e libro di più di 300 pagine con la guerra che ha segnato l’America e gli americani vista non solo attraverso gli occhi dei politici, ma soprattutto dai musicisti e dagli uomini dello spettacolo
- Johnny Horton & Johnny Cash – I’m Fishing Man (Johnny & Johnny andavano a pescare insieme, singolo di 3 brani sul tema dei due più uno di Hank Williams ed uno splendido quadro metallico con foto inedita corredato da spille magnetici. Al solito, molto curata ed originale la confezione)
Emanuele Cappellotto & Gianluca Sabbadin - Four Clockworks For Mandolin & Guitar Ben 17 duetti per chitarra e mandolino con due virtuosi quali Emanuele Cappellotto, mandolin, e Gianluca Sabbadin, guitar. 
Mariano Di Nunzio Trio Barracina - Sonata a 3+2 Trumpet virtuoso con un originale line-up. Feat. Massimo De Stephanis, double bass Daniele Fusi, drums, Sandro Marra, alto sax, clarinet, Andrea Rellini, cello. 
Roberto Marino – Trasparenze Piano solo da un talento emergente! 
Al secondo album di Xiomara ci rendiamo conto che ci troviamo sempre di piu' di fronte ad un fenomeno unico. Xiomara Laugart nella sua carriera è stata piu' volte paragonata a Celia Cruz, Diana Ross, Macy Gray e di volta in volta accostata ad altre "divinita'" del jzz vocale. Premesso che tali paragoni sono piu' che giusti per quanto riguarda la caratura del personaggio vi è anche da aggiungere che Xiomare è unica nel suo genere per le sue virtù peculiari e per la sua maestria impossibile da manipolare o limitare. Qualità vocali che trovano piena espressione in questo nuovo cd “La Voz” dove rivela in modo inequivocabile una flessibilità e sensibilità espressiva accompagnate una grande estensione vocale, “liquida” e fluente, che ben esaltano le influenze jazz. A impreziosire l’opera casa Chesky ci regala una registrazione in SACD superba per ascoltare questa latin-jazz o cuban-jazz cercando anche nell'incisione quell'emozione e quel brivido che solo gli audiofili piu' esperti sanno riconoscere. 
Siamo orgogliosi di presentare il nuovo album di questo songwriter di Little Silver, New Jersey, che, a dispetto della visione musicale a 360° gradi sulla musica americana, è stato costretto ad autoprodursi (dopo aver conosciuto le produzioni di Dan Penn, Eric Ambel e Buddy Miller). Arrivato alla terza decade di attività e con una nutrita discografia alle spalle, Greg, che come pochi sintetizza la trinità della musica “Americana” (Memphis soul, Greenwich Village folk and Nashville twang.) ed ha scritto canzoni riprese da Steve Earle, Vince Gill, Billy Bragg, Robert Earl Keen, si ripresenta con “Upside-down Town” dove esprime tutto il suo talento in chiave di un attualissimo folk-rock. Per chi ha nel cuore le sonorita' alla Otis Redding, Bob Dylan e Hank William non potra' fare a meno di scoprire questo cd e soprattutto questo geniale cantautore. 
Dopo una lunga attesa, resa spasmodica dal bene che si è scritto sulla stampa specializzata, ecco finalmente disponibile “Tin Can Trust”, il nuovo album dei Lupi di Los Angeles. Un paio di canzoni latine molto belle circondate da grande rock in the finest Lobos tradition. Un album di grande sostanza, corposo e ben suonato, che lascia trasparire la forza della più popolare band di East L.A. L’incontro di due mondi, due culture, che cercano di amalgamarsi attraverso uno dei più affascinanti progetti di sintesi musicale lungo ormai un quarto di secolo.
Graham Parker non ha bisogno d’introduzioni, si tratta di uno dei migliori cantautori ed interprete inglesi di sempre come testimonia la sua discografia anni ’70 dov’era accompagnato da una delle migliori bands del periodo, i Rumour. Questo box di 6 cd per la sua etichetta Up Yours in edizione privata ed ora disponibile anche in commercio grazie all'attenta Floating World ad un prezzo più che accessibile per i suoi numerosi fans rappresenta un evento per i cultori del rock d’autore. 6 cd di materiale inedito o “live” dai suoi archivi personali rappresentano un’attrattiva unica per tutti i suoi ammiratori e non solo. Personaggio più maturo e complesso dell’intero pub-rock movement che racchiude ”il soul sanguigno di Van Morrison, il folk arrabbiato di Dylan, il country introverso di Neil Young e la veemenza proletaria di Springsteen”. E come ogni buon vero (official ) bootleg che si rispetti ricordiamoci che è in tiratura limitata.
- Stefan Grossman & John Renbourn – Same Primo album di duetti datatp 1978 per John Renbourn l’ English-folk guitarist, e Stefan Grossman an American-blues guitarist. ( tutti i brani di questo cd ad esclusione di "Spirit Levels" contengono il file con le tablature )
- Ton Van Bergeyk, John James, Dale Miller & Sam Mitchell – I Got Rhithm (Jazz compositions and rags da questi guitar-virtuosi)
- John Renbourn & Stefan Grossman – In Concert 
- Stefan Grossman – Shining Shadows (Album di blues anni ’20 e ’30 datato 1984)
- Duck Baker – King Of Bongo Bongo (Ancora Fingerstyle guitar playing su noti blues anni ’20 e ’30.)
- Rev. Gary Davis – At Home And Church (Box 3 cd di Religious songs, folk tunes, blues, rags)
- School Of Ragtime - 10 Classic Rags 
- The Entertainer – The classics of Scott Joplin rags arranged for six string guitar Featuring Ton Van Bergeyk, Leo Wijnkamp Jr., Jim McLennan, Bob Evans, Tim Nicolai, David Laibman & Dick Fegy.
- Ton Van Bergeyk – Lulu’s Back In Town (Ragtime music)
- Bert Jansch Conundrum – Thirteen Down (Album del 1979 per l’ex Pentangle. Feat. Martin Jenkins, Nigel Portman-Smith, Luce Langridge e Jacquie McShee)